A Treatise on Painting by Leonardo da Vinci — cover

A Treatise on Painting

A Treatise on Painting is a collection of writings written by Leonardo da Vinci in 1632.

Leonardo argues that painting can be treated as a science and that it is in fact a superior art to others such as music or poetry, offering his arguments in this regard.

It is of vital importance to know the aesthetic ideas that emerged in the Renaissance from the pen of one of the great artists of the time.

Despite having a somewhat technical language, it is a book accessible to anyone with more or less knowledge of the arts. It also has a very interesting philosophical part where Leonardo also refers to classical thinkers such as Plato and Aristotle.

This edition of A Treatise on Painting is based on John Francis Rigaud's translation.

"Chap. I.—What the young Student in Painting ought in the first Place to learn.The young student should, in the first place, acquire a knowledge of perspective, to enable him to give to every object its proper dimensions: after which, it is requisite that he be under the care of an able master, to accustom him, by degrees, to a good style of drawing the parts".

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Non-fiction Art Instructional Art theory Painting techniques Aesthetics Human anatomy Perspective Shadow and light

Public domain (US)·No sign-up·DRM-free·Real text, not scans

Pages
496
Reading time
7 hours 16 minutes
Pace
Intermediate
First published
1632
Language
Italian
Downloads
2,835

394 years later, still timely

Why Read A Treatise on Painting in 2026?

Leonardo da Vinci wrote a studio notebook that reads like a master class: how light behaves, how bodies turn, why observation beats ornament. Painters, photographers, and designers can use these notes to train the eye. Practical, tightly argued, and modern about craft as daily discipline.

Today's connection

Use as a companion beside the sketchbook or camera. Chapters give clear rules of thumb for perspective, anatomy, and shadow, while inviting patient looking over quick effect. A fine bridge between historical theory and everyday making.

Light and shadow

Clear guidance for convincing form.

Train the eye

Observation before ornament, patience before polish.

Working principles

Rules of thumb that travel across mediums.

Perfect for Art students Art historians Painters Art enthusiasts

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About the author

Portrait of Leonardo da Vinci

Leonardo da Vinci · 1452–1519

Notebooks of art and inquiry; observation turned into machines, anatomy, and vision.

1 books by Leonardo da Vinci in the library →