Dante’s Inferno is the first canticle of The Divine Comedy, a narrative poem by Dante Alighieri. It follows a fictionalized Dante, guided by the Roman poet Virgil, through Hell and its ordered punishments.
The Divine Comedy is divided into three canticles—Inferno, Purgatorio, and Paradiso—and each is composed of cantos. Inferno contains 34 cantos and, like the rest of the poem, is written in terza rima, an interlocking three-line rhyme scheme.
The ordering of the damned draws in part on Aristotle’s ethics and distinguishes among failures of self-control, violence, and deliberate fraud. Many punishments follow the principle of contrapasso, mirroring or contrasting with the sin committed.
After Limbo, the upper circles punish sins of incontinence such as lust, gluttony, avarice, and wrath. Deeper circles punish heresy, violence, fraud, and finally treachery, placing calculated abuses of reason below failures of self-control.
All the damned are separated from God, while the descent through Hell assigns increasingly grave sins to progressively deeper circles.
This digital edition of Dante’s Inferno uses the English translation by Henry Francis Cary (1772–1844).
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Copyright note. Dante's Inferno by Dante Alighieri is believed to be in the public domain in the United States only. It may still be copyrighted in other countries. If you are not in the United States, please check your local laws to ensure this eBook is in the public domain in your country before downloading Dante's Inferno in PDF or EPUB.
719 years later, still timely
Part travel poem, part moral map, "Inferno" guides you through a city of consequences. Tercets move with clean momentum while images fix in memory—winds, ice, stone. You don't need to agree with every line to use the structure: what do we value, whom do we harm, and where does habit lead if left unchecked.
In a noisy year, the poem offers disciplined attention. Its architecture turns outrage into inquiry: categories, causes, proportionality. Read with notes or a good translation and treat it as a framework for examining modern habits. A guided walk through conscience, not a lecture.
Circles, gates, and bridges organize questions about choice and consequence. The map teaches as it moves.
Classical and medieval references layer the journey. Context deepens, even when you disagree.
Punishments mirror acts. Proportionality and responsibility stay central to the reading.
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Through me you go into a city of weeping; through me you go into eternal pain; through me you go amongst the lost people.
Then I uprose, showing myself provided; Better with breath than I did feel myself, And said: “Go on, for I am strong and bold.
From there we came outside and saw the stars.
In the middle of the journey of our life I found myself within a dark woods where the straight way was lost.
The hottest places in hell are reserved for those who, in times of great moral crisis, maintain their neutrality.